Local view for "http://purl.org/linkedpolitics/eu/plenary/2000-07-05-Speech-3-404"

Predicate	Value (sorted: default)
rdf:type	lpv_eu:Speech2
dcterms:Date	"2000-07-05"^^xsd:date2
dcterms:Is Part Of	lp_eu:MEDIA/MEDIA Plus2
dcterms:Language	"es"^^xsd:language2
lpv:document identification number	"en.20000705.14.3-404"2
lpv:hasSubsequent	lp_eu:2000-07-05-Speech-3-4052
lpv:speaker	lp:Cristina Gutiérrez-cortines2
lpv:spokenAs	substitute; Committee on Culture, Youth, Education, the Media and Sport (1999-07-21--2002-01-14)3 member; EPP-ED (1999-07-20--2004-07-19)3 unknown; Partido Popular (1999-07-20--2004-07-19)3 member; Delegation for relations with South-east Europe (1999-10-06--2002-01-14)3 vice-chair; Delegation to the EU-Lithuania Joint Parliamentary Committee (1999-10-25--2002-01-14)3 substitute; Delegation to the EU-Turkey Joint Parliamentary Committee (1999-11-11--2002-01-14)3 member; Committee on the Environment, Public Health and Consumer Policy (1999-10-07--2002-01-14)3
lpv:translated text	"Mr President, I would like to say that I am pleased with the MEDIA Plus document. I believe that it has been very much improved by Parliament. Mrs Hieronymi, furthermore, has been very open to all suggestions and it seems to me that, in relation to other programmes, it contains an innovation which the Commission has also contributed to, that is, support for marketing and distribution. Nevertheless, I would like a further step to be taken because, in my view, the MEDIA Plus document follows a principle which is rather like that of arts cinema: it supports in particular the script and the production when these days we know that post-production accounts for 60%, 70% or 80% of good films. Furthermore, postproduction is the field in which the new technologies are working. It is much cheaper to produce special effects by computer than in reality. If we do not support post-production, editing, training in editing and the establishment of studios for dubbing, editing and creating sound tracks, in which post-production can be properly carried out, our cinema will lag behind. We have European directors who have worked with American companies, who have made fantastic films. We have the knowledge, but we do not have the support for the industry to allow us to compete in post-production, because to speak now of script-led cinema is to speak of times past, it is to speak of the theatre-cinema in which the camera follows the actor around. That system is completely obsolete. We should support this new industry in which, furthermore, there are new vocations, new forms of creativity, a creativity of images, pure cinema, the new cinema for the era we are living in. I would therefore ask that, when offering grants, these aspects should be taken into account and the industry should be opened up to the world. In the conciliation we should now finally be talking of a cultural industry."@en1

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